תקציר
Mimouna is a North-African Jewish festival, which in the past symbolized good neighborly relationships between Jews and Muslims. Today, however, this festival has transformed into a neutralized interfaith encounter, resembling a culinary-focused musical show. The particular event explored in this case study was organized by an Israeli Reform Jewish congregation, which is a non-Orthodox liberal Jewish denomination. In this event, the congregation strived to reconceptualize the diasporic concept of this festival. In effect, the performance is a cultural appropriation that reveals the failures to turn this tolerant vision into a current local political reality. The performance is constructed as a marketing script to brand Reform Judaism's liberal ideology agenda and its sociopolitical position in Israeli society. The endeavor to establish the Mimouna as a safe space for fostering interreligious discourse and dialogue exposed its ideological vulnerability, thus bringing to the forefront the conflictual relationship between the Jewish and Muslim Arabs in Israel.
| שפה מקורית | אנגלית |
|---|---|
| מספר המאמר | 20230015 |
| כתב עת | Open Cultural Studies |
| כרך | 8 |
| מספר גיליון | 1 |
| מזהי עצם דיגיטלי (DOIs) | |
| סטטוס פרסום | פורסם - 1 ינו׳ 2024 |
הערה ביבליוגרפית
Publisher Copyright:© 2024 the author(s), published by De Gruyter.
טביעת אצבע
להלן מוצגים תחומי המחקר של הפרסום 'We Are All the Sons of Abraham? Utopian Performativity for Jewish-Arab Coexistence in an Israeli Reform Jewish Mimouna Celebration'. יחד הם יוצרים טביעת אצבע ייחודית.פורמט ציטוט ביבליוגרפי
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