We Are All the Sons of Abraham? Utopian Performativity for Jewish-Arab Coexistence in an Israeli Reform Jewish Mimouna Celebration

Elazar Ben-Lulu, Naphtaly Shem-Tov

פרסום מחקרי: פרסום בכתב עתמאמרביקורת עמיתים

תקציר

Mimouna is a North-African Jewish festival, which in the past symbolized good neighborly relationships between Jews and Muslims. Today, however, this festival has transformed into a neutralized interfaith encounter, resembling a culinary-focused musical show. The particular event explored in this case study was organized by an Israeli Reform Jewish congregation, which is a non-Orthodox liberal Jewish denomination. In this event, the congregation strived to reconceptualize the diasporic concept of this festival. In effect, the performance is a cultural appropriation that reveals the failures to turn this tolerant vision into a current local political reality. The performance is constructed as a marketing script to brand Reform Judaism's liberal ideology agenda and its sociopolitical position in Israeli society. The endeavor to establish the Mimouna as a safe space for fostering interreligious discourse and dialogue exposed its ideological vulnerability, thus bringing to the forefront the conflictual relationship between the Jewish and Muslim Arabs in Israel.

שפה מקוריתאנגלית
מספר המאמר20230015
כתב עתOpen Cultural Studies
כרך8
מספר גיליון1
מזהי עצם דיגיטלי (DOIs)
סטטוס פרסוםפורסם - 1 ינו׳ 2024

הערה ביבליוגרפית

Publisher Copyright:
© 2024 the author(s), published by De Gruyter.

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