תקציר
Meyer suggests that gazing at images of the desirable female body portrayed in illuminated manuscripts might have invoked an amalgam of sexual desire and fears of emasculation in a presumed, otherwise unknown male readership, resulting in a mixed emotional response—pleasure coupled with shame and fear. This emotionally distressing experience, in its turn, probably entailed a feeling of anger, which led to a gendered ‘barbarism’—erasure, rubbing, and scrapping—that defaced the images in question. She suggests that these erasures reflect ingrained societal Byzantine notions that associated women with a disruptive and unsettling erotic power that was a threat to manliness and the consequential need to maintain the gender-hierarchical order.
שפה מקורית | אנגלית |
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כותר פרסום המארח | New Approaches to Byzantine History and Culture |
מוציא לאור | Springer Nature |
עמודים | 245-279 |
מספר עמודים | 35 |
מזהי עצם דיגיטלי (DOIs) | |
סטטוס פרסום | פורסם - 2019 |
סדרות פרסומים
שם | New Approaches to Byzantine History and Culture |
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ISSN (מודפס) | 2730-9363 |
ISSN (אלקטרוני) | 2730-9371 |
הערה ביבליוגרפית
Publisher Copyright:© 2019, The Author(s).