|Title of host publication||Popular Music:|
|Subtitle of host publication||Critical Concepts in Media and Cultural Studies|
|Place of Publication||London|
|State||Published - Aug 2004|
Bibliographical noteFunding Information:
An earlier version of this article was presented at Culture and Identity: Nation, City, World - the Second Theory, Culture & Society Conference, Berlin, August 1995. Work on this article was made possible by a grant from The United States-Israel Education Foundation (a Fulbright fellowship). The author would like to thank the Department of Sociology at Princeton University for its hospitality. Thanks also to Eyal Ben Ari, Paul DiMaggio, Frank Dobbin, Simon Frith and Michèle Lamont for their insightful comments.