ملخص
This article offers a rereading of Theatre Workshop HaTikva Neighborhood's activity as a unique troupe in the field of community-based theatre in Israel. There are three interrelated factors that account for this group's distinctiveness: (1) it functioned as an independent theatre without public subsidies; (2) its repertoire shifted from a politics of distribution to a politics of recognition; (3) it underwent a transition from amateurism to professionalism. This is a rare status in relation to the common model of community-based theatre in Israel. The study explores these three factors within the theatrical and historical-political contexts of the period.
| اللغة الأصلية | الإنجليزيّة |
|---|---|
| الصفحات (من إلى) | 169-187 |
| عدد الصفحات | 19 |
| دورية | Theatre Research International |
| مستوى الصوت | 50 |
| رقم الإصدار | 2 |
| المعرِّفات الرقمية للأشياء | |
| حالة النشر | نُشِر - 1 يوليو 2025 |
ملاحظة ببليوغرافية
Publisher Copyright:© The Author(s), 2025. Published by Cambridge University Press on behalf of the International Federation for Theatre Research.
بصمة
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