ملخص
Meyer suggests that gazing at images of the desirable female body portrayed in illuminated manuscripts might have invoked an amalgam of sexual desire and fears of emasculation in a presumed, otherwise unknown male readership, resulting in a mixed emotional response—pleasure coupled with shame and fear. This emotionally distressing experience, in its turn, probably entailed a feeling of anger, which led to a gendered ‘barbarism’—erasure, rubbing, and scrapping—that defaced the images in question. She suggests that these erasures reflect ingrained societal Byzantine notions that associated women with a disruptive and unsettling erotic power that was a threat to manliness and the consequential need to maintain the gender-hierarchical order.
اللغة الأصلية | الإنجليزيّة |
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عنوان منشور المضيف | New Approaches to Byzantine History and Culture |
ناشر | Springer Nature |
الصفحات | 245-279 |
عدد الصفحات | 35 |
المعرِّفات الرقمية للأشياء | |
حالة النشر | نُشِر - 2019 |
سلسلة المنشورات
الاسم | New Approaches to Byzantine History and Culture |
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رقم المعيار الدولي للدوريات (المطبوع) | 2730-9363 |
رقم المعيار الدولي للدوريات (الإلكتروني) | 2730-9371 |
ملاحظة ببليوغرافية
Publisher Copyright:© 2019, The Author(s).