ملخص
Presenting the notion of musical cosmopolitanism, this position paper sets out to assert poprock music as its prominent manifestation. A characterization of the cultural realm of pop-rock music is followed by a discussion of three of its major dimensions: the logic of innovation and mainstreaming; the global proliferation of national scenes and fields of pop-rock; and the effect of pop-rock on bodies and sonic environments.
اللغة الأصلية | الإنجليزيّة |
---|---|
الصفحات (من إلى) | 290-300 |
عدد الصفحات | 11 |
دورية | Journal of World Popular Music |
مستوى الصوت | 4 |
رقم الإصدار | 2 |
المعرِّفات الرقمية للأشياء | |
حالة النشر | نُشِر - 2017 |
ملاحظة ببليوغرافية
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