ملخص
This article examines the changing roles and perceptions of female soldiers in Israeli cinema, from the traditional stereotypes of the early years to the response of young Israeli women filmmakers in the 2000s to the gender inequality and violence that is an integral part of any military systems. After a survey of the traditional representations of women soldiers and the minor roles they played in early Israeli cinema, we discuss two films by Israeli women filmmakers—Vardit Bilu and Dalia Hager’s fiction film Close to Home (2005) and Tamar Yaron’s documentary To See if I’m Smiling (2007)—which depict the challenges faced by young women who join the IDF aspiring to equal military service. Both films explore the inherent gender bias they encounter and the inevitable moral decline of women soldiers as they are plunged into the violent reality of military occupation.
| اللغة الأصلية | الإنجليزيّة |
|---|---|
| الصفحات (من إلى) | 1144-1158 |
| عدد الصفحات | 15 |
| دورية | Feminist Media Studies |
| مستوى الصوت | 19 |
| رقم الإصدار | 8 |
| المعرِّفات الرقمية للأشياء | |
| حالة النشر | نُشِر - 17 نوفمبر 2019 |
ملاحظة ببليوغرافية
Publisher Copyright:© 2018, © 2018 Informa UK Limited, trading as Taylor & Francis Group.
بصمة
أدرس بدقة موضوعات البحث “In the face of violence: a political reading of IDF women soldiers in two Israeli films of the 2000s'. فهما يشكلان معًا بصمة فريدة.قم بذكر هذا
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